Light & Learning

English and Modern European Languages

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S.No. Description View
1 Indian Aesthetics and Poetics View
2 PAPER-III: FUNCTIONAL SKILLS IN LANGUAGE AND LITERATURE Unit-II: Remedial English Grammar and Use of English Lecture Three View
3 Paper IV: Literary Criticism (B) (Code: Eng- 404) Unit-II: Frantz Fanon: Excerpts from Black Skin, White Masks Handout Five View
4 FUNCTIONAL SKILLS IN LANGUAGE AND LITERATURE Unit-II: Remedial English Grammar and Use of English Lectures One and Two View
5 FUNCTIONAL SKILLS IN LANGUAGE AND LITERATURE Unit-II: Remedial English Grammar and Use of English Lectures One and Two View
6 Paper IV: Literary Criticism (B) (Code: Eng- 404) Unit-I: Michele Barrett: ‘Ideology and the Cultural Production of Gender’ Handout Four View
7 Paper IV: Literary Criticism (B) (Code: Eng- 404) Unit-I: Michele Barrett: ‘Ideology and the Cultural Production of Gender’ Handout Three View
8 Paper-XIV(C) : Comparative Literature, Unit I, Sisir Kumar Das : ‘Comparative Literature in India: A Historical Approach’ Lecture Six View
9 Paper I: Twentieth Century British Fiction -Code: Eng- 601 (B.A. (Hons.) English Semester-VI) Paper-II : Modern Literature (B) (Fiction And Prose) (B.A. (English) Semester-VI) Topic: E.M. Forster: A Passage to India. Lecture: Four View
10 Paper I: Twentieth Century British Fiction -Code: Eng- 601 (B.A. (Hons.) English Semester-VI) Paper-II : Modern Literature (B) (Fiction And Prose) (B.A. (English) Semester-VI) Topic: E.M. Forster: A Passage to India. Lecture: Three View
11 Paper-XIV(C) : Comparative Literature, Unit I, Susan Bassnett : Comparative Literature: A Critical Introduction (Introduction, Chapter I). Lecture Five View
12 Paper-XIV(C) : Comparative Literature, Unit I, Susan Bassnett : Comparative Literature: A Critical Introduction (Introduction, Chapter I). Lecture Four View
13 Paper GE-IC: Communicative English : Unit- V Topic: Academic Research Writing-II Lecture Four View
14 Paper GE-IC: Communicative English : Unit- V Topic: Academic Research Writing-I Lecture Three View
15 James Joyce: A Portrait of the Artist as a Young Man Lecture-cum-Handout Two View
16 Gauri Viswanathan : ‘The Beginnings of English Literary Study in British India’ Handout Two View
17 Paper Code: Eng- 404 Literary Criticism (B) Gauri Viswanathan : ‘The Beginnings of English Literary Study in British India’ Handout One View
18 Twentieth Century British Fiction Code: Eng- 601 (B.A. (Hons.) English Semester-VI) Paper-II : Modern Literature (B) (Fiction And Prose) (B.A. (English) Semester-VI) Topic: James Joyce: A Portrait of the Artist as a Young Man View
19 PhD Coursework Paper-II: Critical Approaches to Literature-Unit-II: Criticial Theories (II) Werner Wolf: “Intermediality and the Study of Literature” Lecture Eight View
20 CO-II: English Society, Literature and Thought- (17thand 18th Centuries)– Unit I Topic: Enlightenment Ideas and Philosophy Lecture Six Part Two View
21 CO-II: English Society, Literature and Thought- (17th and 18th Centuries)– Unit I Topic: Enlightenment Ideas and Philosophy Lecture Six Part One View
22 PhD Coursework Paper-II:Critical Approaches to Literature-Unit-II:Criticial Theories (II) Harish Trivedi : “Comparative Literature, World Literature, Indian Literature: Concepts and Models” Lecture Five View
23 PhD Coursework Paper-II: Critical Approaches to Literature-Unit-I: Critical Theories (I)- Frantz Fanon : Black Skin, White Masks Lecture Four View
24 Paper GE-IC: Communicative English : Unit- V Topic: Academic Writing Lecture Two View
25 Paper GE-IC: Communicative English : Unit- V Topic: Academic Writing Lecture One View
26 CO-II: English Society, Literature and Thought- (17th and 18th Centuries)– Unit I Topic: Enlightenment ideas and philosophy Lecture Five (Part Two) View
27 CO-II: English Society, Literature and Thought- (17th and 18th Centuries)– Unit I Topic: Enlightenment ideas and philosophy Lecture Five (Part One) View
28 PhD Coursework Paper-II: Critical Approaches to Literature-Unit-I: Critical Theories (I)- Frantz Fanon : Black Skin, White Masks Lecture Three View
29 PhD Coursework Paper-II: Critical Approaches to Literature-Unit-I: Critical Theories (I)- Frantz Fanon : Black Skin, White Masks Lecture Two View
30 CO-II: English Society, Literature and Thought- (17thand 18th Centuries)– Unit I Topic: Women’s Writing in the Seventeenth Century Lecture Four (Part Two) View
31 CO-II: English Society, Literature and Thought- (17th and 18th Centuries)– Unit I Topic: Women’s Writing in the Seventeenth Century Lecture Four (Part One) View
32 CO-II: English Society, Literature and Thought- (17th and 18th Centuries)– Unit I Topic: Restoration Period Lecture Three View
33 CO-II: English Society, Literature and Thought- (17th and 18th Centuries)– Unit I Topic: Restoration Period Lecture Two View
34 Paper-X (A) : Forms of Popular LiteratureUnit –I: Science Fiction Text: Mary Shelley: Frankenstein Lecture Twelve View
35 Paper-X (A) : Forms of Popular LiteratureUnit –I: Science Fiction Text: Mary Shelley: Frankenstein Lecture Eleven View
36 Paper-X (A) : Forms of Popular LiteratureUnit –I: Science Fiction Text: Mary Shelley: Frankenstein Lecture Ten View
37 Paper-X (A) : Forms of Popular LiteratureUnit –I: Science Fiction Text: Mary Shelley: Frankenstein Lecture Nine View
38 Paper-X (A) : Forms of Popular LiteratureUnit –I: Science Fiction Text: Mary Shelley: Frankenstein Lecture Eight View
39 Paper XI (A) : Contemporary Literary Theories – Unit I Text: Northrop Frye: ‘Myth, Fiction, and Displacement’ Lecture Twenty-Three View
40 Paper XI (A) : Contemporary Literary Theories – Unit I Text: Northrop Frye: ‘Myth, Fiction, and Displacement’ Lecture Twenty-Two View
41 Paper XI (A) : Contemporary Literary Theories – Unit I Text: Northrop Frye: ‘Myth, Fiction, and Displacement’ Lecture Twenty-One View
42 Paper XI (A) : Contemporary Literary Theories – Unit II Text: Edward Said : ‘Introduction’ to Orientalism Lecture Twenty View
43 Paper XI (A) : Contemporary Literary Theories – Unit II Text: Edward Said : ‘Introduction’ to Orientalism Lecture Nineteen View
44 Paper XI (A) : Contemporary Literary Theories – Unit II Text: Edward Said : ‘Introduction’ to Orientalism Lecture Eighteen View
45 Paper XII (A) : Colonial and Post-Colonial Literature Texts: Harish Trivedi Chapter IX - Reading English, Writing Hindi: English Literature and Indian Creative Writing Chapter X -Panchadhatu: Teaching English Literature in the Indian Literary Context Lecture Seven View
46 Paper XII (A) : Colonial and Post-Colonial Literature Texts: Harish Trivedi Chapter IX - Reading English, Writing Hindi: English Literature and Indian Creative Writing Chapter X -Panchadhatu: Teaching English Literature in the Indian Literary Context Lecture Six View
47 Paper XI (A) : Contemporary Literary Theories – Unit II Text: Wolfgang Iser: From The Reading Process Lecture Seventeen View
48 Paper XI (A) : Contemporary Literary Theories – Unit II Text: Wolfgang Iser: From The Reading Process Lecture Sixteen View
49 Paper XI (A) : Contemporary Literary Theories -- Unit I Text: M.M. Bakhtin: ‘Discourse in the Novel’ Lecture Fifteen View
50 Paper XI (A) : Contemporary Literary Theories -- Unit I Text: M.M. Bakhtin: ‘Discourse in the Novel’ Lecture Fourteen View
51 Paper XII (A) : Colonial and Post-Colonial Literature Text: Gayatri Chakravorty Spivak: ‘Can the Subaltern Speak? Lecture Five View
52 Paper XII (A) : Colonial and Post-Colonial Literature Text: Gayatri Chakravorty Spivak: ‘Can the Subaltern Speak? Lecture Four View
53 Paper-X (A) : Forms of Popular Literature Unit –I : Science Fiction Text: The Time Machine by H.G. Wells Lecture Seven View
54 Paper XI (A) : Contemporary Literary Theories -- Unit I Text: Victor Shklovsky: Art as Technique Lecture Eleven View
55 Paper XI (A) : Contemporary Literary Theories -- Unit I Text: Victor Shklovsky: Art as Technique Lecture Thirteen View
56 Paper XI (A) : Contemporary Literary Theories -- Unit I Text: Victor Shklovsky: Art as Technique Lecture Twelve View
57 Paper-X (A) : Forms of Popular Literature Unit –I : Science Fiction Text: The Time Machine by H.G. Wells Lecture Six View
58 Paper-X (A) : Forms of Popular Literature Unit –I : Science Fiction Text: The Time Machine by H.G. Wells Lecture Five View
59 Paper-X (A) : Forms of Popular Literature Unit –I : Science Fiction Text: The Time Machine by H.G. Wells Lecture Four View
60 Paper-X (A) : Forms of Popular Literature Unit –I : Science Fiction Text: The Time Machine by H.G. Wells Lecture Three View
61 Paper-X (A) : Forms of Popular Literature Unit –I : Science Fiction Text: The Time Machine by H.G. Wells Lecture Two View
62 Paper-X (A) : Forms of Popular Literature Unit –I : Science Fiction Text: The Time Machine by H.G. Wells Lecture One View
63 Paper XII (A) : Colonial and Post-Colonial Literature Text: Edward Said: Chapter 17- ‘Reflections on Exile’ Lecture Three View
64 Paper XII (A) : Colonial and Post-Colonial Literature Text: Edward Said: Chapter 17- ‘Reflections on Exile’ Lecture Two View
65 Paper XII (A) : Colonial and Post-Colonial Literature Text: Edward Said: Chapter 17- ‘Reflections on Exile’ Lecture One View
66 Lecture 10 Raymond Williams View
67 Lecture 9 Raymond Williams View
68 Lecture 8 Raymond Williams View
69 Indian Writing in English (Code: Eng- 504) Nirad C Chaudhuri :The Autobiography of an Unknown Indian Lecture Seventeen View
70 Indian Writing in English (Code: Eng- 504) Nirad C Chaudhuri :The Autobiography of an Unknown Indian Lecture Sixteen View
71 Indian Writing in English (Code: Eng- 504) Nirad C Chaudhuri :The Autobiography of an Unknown Indian Lecture Fifteen View
72 Indian Writing in English (Code: Eng- 504) Amitav Ghosh: Dancing in Cambodia and At Large in Burma Lecture Fourteen View
73 Indian Writing in English (Code: Eng- 504) Amitav Ghosh: Dancing in Cambodia and At Large in Burma Lecture Thirteen View
74 Indian Writing in English (Code: Eng- 504) Amitav Ghosh: Dancing in Cambodia and At Large in Burma Lecture Twelve View
75 Indian Writing in English (Code: Eng- 504) Amitav Ghosh: Dancing in Cambodia and At Large in Burma Lecture Eleven View
76 Indian Writing in English (Code: Eng- 504) Amitav Ghosh: Dancing in Cambodia and At Large in Burma Lecture Ten View
77 Indian Writing in English (Code: Eng- 504) Amitav Ghosh: Dancing in Cambodia and At Large in Burma Lecture Ten View
78 Indian Writing in English (Code: Eng- 504) Amitav Ghosh: Dancing in Cambodia and At Large in Burma Lecture Nine View
79 Indian Writing in English (Code: Eng- 504) Amitav Ghosh: Dancing in Cambodia and At Large in Burma Lecture Eight View
80 Indian Writing in English (Code: Eng- 504) Amitav Ghosh: Dancing in Cambodia and At Large in Burma Lecture Seven View
81 Indian Writing in English (Code: Eng- 504) Amitav Ghosh: Dancing in Cambodia and At Large in Burma Lecture Six View
82 Indian Writing in English (Code: Eng- 504) Amitav Ghosh: Dancing in Cambodia and At Large in Burma Lecture Five View
83 Indian Writing in English (Code: Eng- 504) Jawahar Lal Nehru: ‘In Naini Prison’ Lecture Four View
84 Indian Writing in English (Code: Eng- 504) Jawahar Lal Nehru: ‘In Naini Prison’ Lecture Three View
85 Indian Writing in English (Code: Eng- 504) Jawahar Lal Nehru: ‘In Naini Prison’ Lecture Two View
86 Indian Writing in English (Code: Eng- 504) Jawahar Lal Nehru: ‘In Naini Prison’ Lecture One View
87 Paper IV: Literary Criticism (A) (Code: Eng- 304) Unit- IV Raymond Williams: ‘Base and Superstructure in Marxist Cultural Theory’ Lecture Ten View
88 Paper IV: Literary Criticism (A) (Code: Eng- 304) Unit- IV Raymond Williams: ‘Base and Superstructure in Marxist Cultural Theory’ Lecture Nine View
89 Paper IV: Literary Criticism (A) (Code: Eng- 304) Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture Eight View
90 Paper IV: Literary Criticism (A) (Code: Eng- 304) Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture Seven View
91 Paper IV: Literary Criticism (A) (Code: Eng- 304) Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture Six View
92 Paper IV: Literary Criticism (A) (Code: Eng- 304) Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture Five View
93 Paper IV: Literary Criticism (A) (Code: Eng- 304) Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture Four View
94 Paper IV: Literary Criticism (A) (Code: Eng- 304) Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture Three View
95 Paper IV: Literary Criticism (A) (Code: Eng- 304) Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture Two View
96 Paper IV: Literary Criticism (A) (Code: Eng- 304) Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture One View
97 "Dreamwood" by Adrienne Rich View
98 "Snapshots of a Daughter-in-Law" by Adrienne Rich View
99 Adrienne Rich View
100 Asif Currimbhoy View
101 Social and Intellectual Background with reference to Post-independence Drama centering Asif Currimbhoy View
102 The Doldrummers: Plot Summary, Themes and Critical Analysis View
103 Aptness of the Title: The Doldrummers View
104 The Art of Characterisation in The Doldrummers View
105 Introduction to Indian Theatre: Some useful YouTube links View
106 The Birthday Party: An Overview View
107 The Birthday Party: Themes View
108 The Birthday Party: Structure, Style, Language View
109 The Birthday Party: Comedy of Menace View
110 The Birthday Party: Absurdism View
111 Translation Practice View
112 Marshal Mc Luhan: The Mechanical Bride: Folklore of Industrial Man View
113 Report Writing: Theoretical Discussion View
114 Legal English View
115 English for Academic Purposes View
116 Aviation English View
117 Business English View
118 Allison Mc Wood on Canadian Drama in English View
119 A Literary Overview of "Holy Sonnet X" by John Donne View
120 L’ANTÉRIORITÉ THE AGREEMENT OF TENSES TO INDICATIVE View
121 A COMPERATIVE VIEW OF USES OF FRENCH TENSES View
122 LE VOIX PASSIF View
123 LE PRÉSENT CONTINU, LE PASSÉ RÉCENT, LE FUTUR PROCHE, LE FUTUR DE PASSÉ ET FUTUR ANTÉRIEUR DU PASSÉ View
124 LE PRÉSENT DE L'IMPERATIF View
125 LE PRÉSENT DU CONDITIONNEL View
126 LE PRÉSENT DU SUBJONCTIF View
127 LE PASSÉ ANTÉRIEUR View
128 PASSÉ SIMPLE, , L'IMPARFAIT DE L'INDICATIF ET LE PLUS-QUE-PARFAIT DE L'INDICATIF View
129 LE PASSÉ COMPOSÉ View
130 LE PRÉSENT DE L'INDICATIF View
131 LES EXPRESSIONS AVEC FAIRE ET ÊTRE (SUITE), LES EXPRESSIONS AVEC ALLER, VENIR ET METTRE, MOI AUSSI ET MOI NON PLUS, N'IMPORTE QUOI/ View
132 LES EXPRESSIONS AVEC FAIRE, ÊTRE ET AVOIR, FAIRE SON AVIS; DEMANDER ET DIRE LES PRIX, LES POIDS ET LES MESURES, LA VOIX PASSIVE View
133 LA CAUSE ET LE BUT (POURQUOI, PARCE QUE, À CAUSE DE), LES PRONOMS RELATIFS (DONT,QUI, QUE,OÙ), ET RAPPORTER UN DISCOURS View
134 LE RÉSUMÉ, LES MOTS COMME CERTAIN, PLUSIEURS, AUTRE, DONC, NÉANMOINS, ALORS, D'ABORD, BUT, FIN ET FAIRE PLUS (+) INFINITIF View
135 LES ADVERBES EN-MENT, LES ADVERBES DE QUANTITÉ (SUITE), LA COMPARAISON, LE PASSÉ RÉCENT ET LE FUTUR PROCHE View
136 LES ADVERBES, LE PARTICIPE PRÉSENT, LE GÉRONDIF ET LE FUTUR View
137 LES CONJUGAISONS AU PRÉSENT DES VERBES POUVOIR, VOULOIR, FALLOIR ET DEVOIR, L' IMPARFAIT View
138 CONJUGAISON AU PRÉSENT DES VERBES EN 'YER', LE PASSÉ COMPOSÉ ET LES PRONOMS 'Y'/'EN' View
139 LES ARTICLES, LES NOMS GÉNERAUX ET PARTITIFS ET CONJUGAISON À L'IMPÉRATIF View
140 LES ADJECTIFS EXPRIMANT LA TOTALITÉ ET View
141 CONJUGAISONS DES VERBES RÉFLÉCHIS, LES VERBES À CHANGEMENTS ORTHOGRAPHIQUES, LES PRONOMS COMPLÉMENTS DIRECTS/INDIRECTS ET LES PRONOMS TONIQUES View
142 CONJUGAISONS DES VERBES IRRÉGULIERS (TROISIÈME GROUPE) ET LES PRONOMS POSSESSIFS View
143 CONJUGAISON DES VERBES EN 'IR' ET LES ADJECTIFS POSSESSIFS View
144 LES VERBES DES TROIS GROUPES, CONJUGAITION DES VERBES EN 'ER' LES View
145 SE PRÉSENTER (NOM, ÂGE ET ADRESSE PROFESSION ET NATIONALITÉ) View
146 PLURIELS DES NOMS, ACCORD DES ADJECTIFS, DES PRÉPOSITIONS, VOICI, VOILÀ, IL Y A View
147 DEMANDER ET RÉPONDRE DES CHOSES; LES NOMS ET LES ARTICLES View
148 LES MOTS DE POLITESSE, LES NOMBRES View
149 COMMENT SALUER, L'ALPHABET View
150 Une vedette de la télévision-1- Traduction View
151 Une vedette de la télévision-2- Traduction View
152 Une vedette de la télévision- Vocabulaire View
153 Une vedette de la télévision- Communication View
154 Les Temps-1- Grammaire View
155 Une Promotion- Traduction View
156 Une Promotion- Grammaire View
157 Reportage en Afrique- Grammaire View
158 Duex Conceptions de l'information- Communication View
159 Reportage en Afrique- Traduction View
160 Les Temps-2- Grammaire View
161 Histoire du Cinèma- Civilization View
162 Reportage en Afrique- Vocabulaire View
163 Deux Conceptions de l'information- Vocabulaire View
164 Deux Conceptions de l'information- Traduction View
165 A Critical Summary of The Umbrella by Guy de Maupassant View
166 Vijay Tendulkar View
167 Introduction to Travel Literature View
168 Introduction to Gothic Literature MA Sem 3 View
169 CANADIAN LITERATURE IN ENGLISH: INTRODUCTORY READING View
170 The Balcony Scene from Romeo and Juliet B.A.(HONS.): Subsidiary English SEMESTER–II PAPER I: English literature (Poetry and drama) (CODE: Eng-S201) UNIT–II (Drama) View
171 Shrilal Shukla: Raag Darbari (I) B.A.(English) Semester-V Paper II: Contemporary Indian Literature in Translation Unit-III View
172 The Waterfall by Margaret Drabble View
173 The Laugh of the Medusa by Helene Cixous View
174 Decolonising the Indian Mind by Namvar Singh: Text and Notes View
175 Shrilal Shukla: Raag Darbari (III) B.A.(English) Semester-V Paper II: Contemporary Indian Literature in Translation Unit-III View
176 Introduction to Raymond Williams and Marxist Theory View
177 Waiting for Godot: Structure View
178 The Hungry Tide: Part Three View
179 A K Ramanujan: The Striders (Part two) View
180 A K Ramanujan: The Striders (Part One) View
181 Decolonising the Mind: Part Five View
182 The Hungry Tide: Part Two View
183 The Hungry Tide: Part One View
184 Grapevine Communication View
185 Waiting for Godot: Absurdism View
186 The Theatre of the Absurd View
187 Shashi Deshpannde View
188 Decolonising the Mind: Part Four View
189 Decolonising the Mind: Part Three View
190 Decolonising the Mind: Part Two View
191 Decolonising the Mind: Part One View
192 Ian Fleming’s James Bond MA English Semester III Paper XA: Unit II View
193 Modern English Poetry View
194 Ruskin Bond’s The Room on the Roof MA English Semester III Paper XA: Unit IV View
195 Literature and Culture View
196 Importance of Feedback in Effective Communication View
197 John Keats: Ode to a Nightingale View
198 Matthew Arnold: Rugby Chapel View
199 A L Tennyson: Ulysses View
200 P B Shelley: Ode to the West Wind View
201 Problem Play View
202 Epic Theatre View
203 Basics of Communication View
204 Cross Cultural Communication View
205 T S Eliot: The Love Song of J Alfred Prufrock View
206 Robert Frost: Mending Wall View
207 Robert Browning: My Last Duchess View
208 Robert Frost: Stopping by Woods on a Snowy Evening View
209 Fiction in Victorian Age View
210 SATYAJIT RAY’S THE ADVENTURES OF FELUDA View
211 The Painter of Signs by R K Narayan View
212 Arthur Conan Doyle and Sherlock Holmes MA English Semester III- Paper XA: Unit II View
213 Deconstruction View
214 Roald Dahl’s Charlie and the Chocolate Factory MA English Semester III- Paper XA: Unit IV View
215 Kunwar Narain: The Poet View
216 Sri Aurobindo: Second Part View
217 Sri Aurobindo: First Part View
218 Lecture 3 Raymond Williams View
219 Roland Barthes View
220 Ideology and Ideological State Apparatuses View
221 Literary Theory Some Contemporary Issues View
222 MANJU KAPUR: DIFFICULT DAUGHTERS View
223 MOTHER BY URMILA PAWAR View
224 Travel Writing: An Introduction MA English Semester III Paper XA: Unit III View
225 CULTURE AND SOCIETY 1780-1950 Raymond Williams View
226 Paper IV: Indian Writing in English (Code: Eng- 504) Jawahar Lal Nehru : ‘In Naini Prison’* View
227 Writing Term Papers: An Introduction View
228 The Ramayana View
229 Vikram Seth’s From Heaven Lake MA English Semester III Paper XA: Unit III View
230 Arthur Conan Doyle’s The Hound of Baskerville MAEnglish Semester III- Paper XA: Unit II View
231 IAN FLEMING’S FROM RUSSIA WITH LOVE View
232 Salman Rushdie's Haroun and the Sea of Stories View
233 Beginning Term Paper View
234 Form of Tragedy from Classical to Contemporary View
235 Bill Aitken’s Footloose in the Himalaya MA English Semester III Paper XA: Unit III View
236 Agatha Christie’s The Murder of Roger Ackroyd MA English Semester III- Paper XA: Unit II View
237 Detective Fiction: An Introduction MA English Semester III- Paper XA: Unit II View
238 Agatha Christie and Hercule Poirot MA English Semester III- Paper XA: Unit II View
239 Structure of Detective Fiction MA English Semester III- Paper XA: Unit II View
240 Writing Term Papers View
241 Paper XI (A) : Contemporary Literary Theories -- Unit II : Raymond Williams : ‘ The Romantic Artist’ from Culture and Society : 1780-1950 Text: The Romantic Artist by Raymond Williams View
242 "Culture and Society" by Raymond Williams View
243 Practical Criticism View
244 Lecture Two: Raymond Williams View
245 Waiting for Godot: Theme View
246 Background to English Language: History of English Literature BA English Semester V Paper I View
247 Children’s Fiction: An Introduction MA English Semester III Paper XA: Unit IV View
248 Literature Review MA English Semester III Paper XII(B) : 4 Term papers View
249 Social and Intellectual Background of the Modern Age View
250 Pre-Raphaelite Poetry View
251 The Reformation View
252 The Authorized Version of Bible View
253 The Victorian Age View
254 Sri Aurobindo: Third Part View
255 Romanticism View
256 The Impact of Renaissance on English Literature View
257 S H Vatsyayan Agyeya View
258 S H Vatsyayan Agyeya: Hiroshima View
259 Amrita Pritam: To Waris Shah View
260 Amrita Pritam: Me View
261 Amrita Pritam: Empty Space View
262 Amrita Pritam View
263 Lecture 7 Raymond Williams View
264 Lecture 6 Raymond Williams View
265 Lecture 5 Raymond Williams View
266 Lecture 4 Raymond Williams View
267 A K Ramanujan’s Theory and Practice of Translation Vinay Dharwadker View
268 COMPARATIVE LITERATURE THE HISTORY OF MARY PRINCE View
269 LITERATURE AND GENDER “DRAUPADI” MAHASWETA DEVI View
270 Candida View
271 Toru Dutt View
272 Translation and Literary History: An Indian View” Ganesh Devyi View
273 A Critical Appreciation of “My Grandmother’s House” by Kamala Das View
274 TRANSLATION: THEORY AND PRACTICE View
275 Untouchable by Mulk Raj Anand View
276 Walt Whitman: Major Issues of His Poetry View
277 EARLE BIRNEY: 'BUSHED' View
278 A.K. Ramanujan: 'Ecology' View
279 DENNIS LEE: 'CADENCE, COUNTRY AND SILENCE: WRITING IN COLONIAL SPACE' View
280 S. T. COLERIDGE: 'KUBLA KHAN' View
281 W.B.YEATS: 'THE SECOND COMING' View
282 EARLE BIRNEY: 'THE BEAR ON THE DELHI ROAD' View
283 CARIBBEAN LITERATURE: INTRODUCTORY READING View
284 AFRICAN LITERATURE: INTRODUCTORY READING View
285 EARLY CANADIAN LITERATURE: AN INTRODUCTION View
286 ENGLISH FOR SPECIFIC PURPOSES : A GENERAL UNDERSTANDING View
287 Poems of Henry Louis Vivian Derozio: Texts and Notes View
288 Rashid Jahan View
289 Rohinton Mistry: “Swimming Lessons” B.A.(HONS.) ENGLISH SEMESTER–IV PAPER I: SHORT FICTION (CODE: ENG–401) UNIT–IV View
290 Shrilal Shukla: Raag Darbari (II) B.A.(English) Semester-V Paper II: Contemporary Indian Literature in Translation Unit-III View