1 |
Dr S M Mirza |
PAPER-III: FUNCTIONAL SKILLS IN LANGUAGE AND LITERATURE
Unit-II: Remedial English Grammar and Use of English
Lecture Three |
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2 |
Dr S M Mirza |
Paper IV: Literary Criticism (B) (Code: Eng- 404)
Unit-II: Frantz Fanon: Excerpts from Black Skin, White
Masks
Handout Five |
View |
3 |
Dr S M Mirza |
FUNCTIONAL SKILLS IN LANGUAGE AND LITERATURE
Unit-II: Remedial English Grammar and Use of English
Lectures One and Two |
View |
4 |
Dr S M Mirza |
FUNCTIONAL SKILLS IN LANGUAGE AND LITERATURE
Unit-II: Remedial English Grammar and Use of English
Lectures One and Two |
View |
5 |
Dr S M Mirza |
Paper IV: Literary Criticism (B) (Code: Eng- 404)
Unit-I: Michele Barrett: ‘Ideology and the Cultural Production of
Gender’
Handout Four |
View |
6 |
Dr S M Mirza |
Paper IV: Literary Criticism (B) (Code: Eng- 404)
Unit-I: Michele Barrett: ‘Ideology and the Cultural Production of
Gender’
Handout Three |
View |
7 |
Dr S M Mirza |
Paper-XIV(C) : Comparative Literature, Unit I, Sisir Kumar
Das : ‘Comparative Literature in India: A Historical
Approach’
Lecture Six |
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8 |
Dr S M Mirza |
Paper I: Twentieth Century British Fiction -Code: Eng- 601 (B.A. (Hons.)
English Semester-VI)
Paper-II : Modern Literature (B) (Fiction And Prose) (B.A. (English) Semester-VI)
Topic: E.M. Forster: A Passage to India.
Lecture: Four |
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9 |
Dr S M Mirza |
Paper I: Twentieth Century British Fiction -Code: Eng- 601 (B.A. (Hons.)
English Semester-VI)
Paper-II : Modern Literature (B) (Fiction And Prose) (B.A. (English) Semester-VI)
Topic: E.M. Forster: A Passage to India.
Lecture: Three |
View |
10 |
Dr S M Mirza |
Paper-XIV(C) : Comparative Literature, Unit I, Susan
Bassnett : Comparative Literature: A Critical Introduction
(Introduction, Chapter I).
Lecture Five |
View |
11 |
Dr S M Mirza |
Paper-XIV(C) : Comparative Literature, Unit I, Susan
Bassnett : Comparative Literature: A Critical Introduction
(Introduction, Chapter I).
Lecture Four |
View |
12 |
Dr S M Mirza |
Paper GE-IC: Communicative English : Unit- V
Topic: Academic Research Writing-II
Lecture Four |
View |
13 |
Dr S M Mirza |
Paper GE-IC: Communicative English : Unit- V
Topic: Academic Research Writing-I
Lecture Three |
View |
14 |
Dr S M Mirza |
James Joyce: A Portrait of the Artist as a
Young Man
Lecture-cum-Handout
Two |
View |
15 |
Dr S M Mirza |
Gauri Viswanathan : ‘The Beginnings of English Literary Study in British India’ Handout Two |
View |
16 |
Dr S M Mirza |
Paper Code: Eng- 404 Literary Criticism (B) Gauri Viswanathan : ‘The Beginnings of English Literary Study in British India’ Handout One |
View |
17 |
Dr S M Mirza |
Twentieth Century British Fiction Code: Eng- 601 (B.A. (Hons.)
English Semester-VI)
Paper-II : Modern Literature (B) (Fiction And Prose) (B.A. (English) Semester-VI)
Topic: James Joyce: A Portrait of the Artist as a
Young Man |
View |
18 |
Dr S M Mirza |
PhD Coursework Paper-II: Critical Approaches to Literature-Unit-II: Criticial Theories (II)
Werner Wolf: “Intermediality and the Study of
Literature” Lecture Eight |
View |
19 |
Dr S M Mirza |
CO-II: English Society, Literature and Thought- (17thand 18th
Centuries)– Unit I
Topic: Enlightenment Ideas and Philosophy Lecture Six Part Two |
View |
20 |
Dr S M Mirza |
CO-II: English Society, Literature and Thought- (17th and 18th
Centuries)– Unit I
Topic: Enlightenment Ideas and Philosophy Lecture Six Part One |
View |
21 |
Dr S M Mirza |
PhD Coursework Paper-II:Critical Approaches to Literature-Unit-II:Criticial Theories (II)
Harish Trivedi : “Comparative Literature, World Literature, Indian
Literature: Concepts and Models” Lecture Five |
View |
22 |
Dr S M Mirza |
PhD Coursework Paper-II: Critical Approaches to Literature-Unit-I: Critical Theories (I)- Frantz
Fanon : Black Skin, White Masks
Lecture Four |
View |
23 |
Dr S M Mirza |
Paper GE-IC: Communicative English : Unit- V
Topic: Academic Writing
Lecture Two |
View |
24 |
Dr S M Mirza |
Paper GE-IC: Communicative English : Unit- V
Topic: Academic Writing
Lecture One |
View |
25 |
Dr S M Mirza |
CO-II: English Society, Literature and Thought- (17th and 18th
Centuries)– Unit I
Topic: Enlightenment ideas and philosophy
Lecture Five (Part Two) |
View |
26 |
Dr S M Mirza |
CO-II: English Society, Literature and Thought- (17th and 18th
Centuries)– Unit I
Topic: Enlightenment ideas and philosophy
Lecture Five (Part One) |
View |
27 |
Dr S M Mirza |
PhD Coursework Paper-II: Critical Approaches to Literature-Unit-I: Critical Theories (I)- Frantz
Fanon : Black Skin, White Masks
Lecture Three |
View |
28 |
Dr S M Mirza |
PhD Coursework Paper-II: Critical Approaches to Literature-Unit-I: Critical Theories (I)- Frantz
Fanon : Black Skin, White Masks Lecture Two |
View |
29 |
Dr S M Mirza |
CO-II: English Society, Literature and Thought- (17thand 18th
Centuries)– Unit I
Topic: Women’s Writing in the Seventeenth Century
Lecture Four (Part Two) |
View |
30 |
Dr S M Mirza |
CO-II: English Society, Literature and Thought- (17th and 18th
Centuries)– Unit I
Topic: Women’s Writing in the Seventeenth Century
Lecture Four (Part One) |
View |
31 |
Dr S M Mirza |
CO-II: English Society, Literature and Thought- (17th and 18th
Centuries)– Unit I
Topic: Restoration Period
Lecture Three |
View |
32 |
Dr S M Mirza |
CO-II: English Society, Literature and Thought- (17th and 18th
Centuries)– Unit I
Topic: Restoration Period
Lecture Two |
View |
33 |
Dr S M Mirza |
Paper-X (A) : Forms of Popular LiteratureUnit –I: Science Fiction
Text: Mary Shelley: Frankenstein Lecture Twelve |
View |
34 |
Dr S M Mirza |
Paper-X (A) : Forms of Popular LiteratureUnit –I: Science Fiction
Text: Mary Shelley: Frankenstein Lecture Eleven |
View |
35 |
Dr S M Mirza |
Paper-X (A) : Forms of Popular LiteratureUnit –I: Science Fiction
Text: Mary Shelley: Frankenstein Lecture Ten |
View |
36 |
Dr S M Mirza |
Paper-X (A) : Forms of Popular LiteratureUnit –I: Science Fiction
Text: Mary Shelley: Frankenstein Lecture Nine |
View |
37 |
Dr S M Mirza |
Paper-X (A) : Forms of Popular LiteratureUnit –I: Science Fiction
Text: Mary Shelley: Frankenstein Lecture Eight |
View |
38 |
Dr S M Mirza |
Paper XI (A) : Contemporary Literary Theories – Unit I
Text: Northrop Frye: ‘Myth, Fiction, and Displacement’ Lecture Twenty-Three |
View |
39 |
Dr S M Mirza |
Paper XI (A) : Contemporary Literary Theories – Unit I
Text: Northrop Frye: ‘Myth, Fiction, and Displacement’ Lecture Twenty-Two |
View |
40 |
Dr S M Mirza |
Paper XI (A) : Contemporary Literary Theories – Unit I
Text: Northrop Frye: ‘Myth, Fiction, and Displacement’ Lecture Twenty-One |
View |
41 |
Dr S M Mirza |
Paper XI (A) : Contemporary Literary Theories – Unit II
Text: Edward Said : ‘Introduction’ to Orientalism Lecture Twenty |
View |
42 |
Dr S M Mirza |
Paper XI (A) : Contemporary Literary Theories – Unit II
Text: Edward Said : ‘Introduction’ to Orientalism Lecture Nineteen |
View |
43 |
Dr S M Mirza |
Paper XI (A) : Contemporary Literary Theories – Unit II
Text: Edward Said : ‘Introduction’ to Orientalism Lecture Eighteen |
View |
44 |
Dr S M Mirza |
Paper XII (A) : Colonial and Post-Colonial Literature
Texts: Harish Trivedi Chapter IX - Reading English, Writing Hindi: English Literature and Indian Creative Writing
Chapter X -Panchadhatu: Teaching English Literature in the Indian Literary Context Lecture Seven |
View |
45 |
Dr S M Mirza |
Paper XII (A) : Colonial and Post-Colonial Literature
Texts: Harish Trivedi Chapter IX - Reading English, Writing Hindi: English Literature and Indian Creative Writing
Chapter X -Panchadhatu: Teaching English Literature in the Indian Literary Context Lecture Six |
View |
46 |
Dr S M Mirza |
Paper XI (A) : Contemporary Literary Theories – Unit II
Text: Wolfgang Iser: From The Reading Process Lecture Seventeen |
View |
47 |
Dr S M Mirza |
Paper XI (A) : Contemporary Literary Theories – Unit II
Text: Wolfgang Iser: From The Reading Process Lecture Sixteen |
View |
48 |
Dr S M Mirza |
Paper XI (A) : Contemporary Literary Theories -- Unit I
Text: M.M. Bakhtin: ‘Discourse in the Novel’ Lecture Fifteen |
View |
49 |
Dr S M Mirza |
Paper XI (A) : Contemporary Literary Theories -- Unit I
Text: M.M. Bakhtin: ‘Discourse in the Novel’ Lecture Fourteen |
View |
50 |
Dr S M Mirza |
Paper XII (A) : Colonial and Post-Colonial Literature
Text: Gayatri Chakravorty Spivak: ‘Can the Subaltern Speak? Lecture Five |
View |
51 |
Dr S M Mirza |
Paper XII (A) : Colonial and Post-Colonial Literature
Text: Gayatri Chakravorty Spivak: ‘Can the Subaltern Speak? Lecture Four |
View |
52 |
Dr S M Mirza |
Paper-X (A) : Forms of Popular Literature
Unit –I : Science Fiction
Text: The Time Machine by H.G. Wells Lecture Seven |
View |
53 |
Dr S M Mirza |
Paper XI (A) : Contemporary Literary Theories -- Unit I
Text: Victor Shklovsky: Art as Technique Lecture Eleven |
View |
54 |
Dr S M Mirza |
Paper XI (A) : Contemporary Literary Theories -- Unit I
Text: Victor Shklovsky: Art as Technique Lecture Thirteen |
View |
55 |
Dr S M Mirza |
Paper XI (A) : Contemporary Literary Theories -- Unit I
Text: Victor Shklovsky: Art as Technique Lecture Twelve |
View |
56 |
Dr S M Mirza |
Paper-X (A) : Forms of Popular Literature
Unit –I : Science Fiction
Text: The Time Machine by H.G. Wells Lecture Six |
View |
57 |
Dr S M Mirza |
Paper-X (A) : Forms of Popular Literature
Unit –I : Science Fiction
Text: The Time Machine by H.G. Wells Lecture Five |
View |
58 |
Dr S M Mirza |
Paper-X (A) : Forms of Popular Literature
Unit –I : Science Fiction
Text: The Time Machine by H.G. Wells Lecture Four |
View |
59 |
Dr S M Mirza |
Paper-X (A) : Forms of Popular Literature
Unit –I : Science Fiction
Text: The Time Machine by H.G. Wells Lecture Three |
View |
60 |
Dr S M Mirza |
Paper-X (A) : Forms of Popular Literature
Unit –I : Science Fiction
Text: The Time Machine by H.G. Wells Lecture Two |
View |
61 |
Dr S M Mirza |
Paper-X (A) : Forms of Popular Literature
Unit –I : Science Fiction
Text: The Time Machine by H.G. Wells Lecture One |
View |
62 |
Dr S M Mirza |
Paper XII (A) : Colonial and Post-Colonial Literature
Text: Edward Said: Chapter 17- ‘Reflections on Exile’ Lecture Three |
View |
63 |
Dr S M Mirza |
Paper XII (A) : Colonial and Post-Colonial Literature
Text: Edward Said: Chapter 17- ‘Reflections on Exile’ Lecture Two |
View |
64 |
Dr S M Mirza |
Paper XII (A) : Colonial and Post-Colonial Literature
Text: Edward Said: Chapter 17- ‘Reflections on Exile’ Lecture One |
View |
65 |
Dr S M Mirza |
Lecture 10 Raymond Williams |
View |
66 |
Dr S M Mirza |
Lecture 9 Raymond Williams |
View |
67 |
Dr S M Mirza |
Lecture 8 Raymond Williams |
View |
68 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Nirad C Chaudhuri :The Autobiography of an
Unknown Indian Lecture Seventeen |
View |
69 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Nirad C Chaudhuri :The Autobiography of an
Unknown Indian Lecture Sixteen |
View |
70 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Nirad C Chaudhuri :The Autobiography of an
Unknown Indian Lecture Fifteen |
View |
71 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Amitav Ghosh: Dancing in Cambodia and At Large in
Burma Lecture Fourteen |
View |
72 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Amitav Ghosh: Dancing in Cambodia and At Large in
Burma Lecture Thirteen |
View |
73 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Amitav Ghosh: Dancing in Cambodia and At Large in
Burma Lecture Twelve |
View |
74 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Amitav Ghosh: Dancing in Cambodia and At Large in
Burma Lecture Eleven |
View |
75 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Amitav Ghosh: Dancing in Cambodia and At Large in
Burma Lecture Ten |
View |
76 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Amitav Ghosh: Dancing in Cambodia and At Large in
Burma Lecture Ten |
View |
77 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Amitav Ghosh: Dancing in Cambodia and At Large in
Burma Lecture Nine |
View |
78 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Amitav Ghosh: Dancing in Cambodia and At Large in
Burma Lecture Eight |
View |
79 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Amitav Ghosh: Dancing in Cambodia and At Large in
Burma Lecture Seven |
View |
80 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Amitav Ghosh: Dancing in Cambodia and At Large in
Burma Lecture Six |
View |
81 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Amitav Ghosh: Dancing in Cambodia and At Large in
Burma Lecture Five |
View |
82 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Jawahar Lal Nehru: ‘In Naini Prison’ Lecture Four |
View |
83 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Jawahar Lal Nehru: ‘In Naini Prison’ Lecture Three |
View |
84 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Jawahar Lal Nehru: ‘In Naini Prison’ Lecture Two |
View |
85 |
Dr S M Mirza |
Indian Writing in English (Code: Eng- 504)
Jawahar Lal Nehru: ‘In Naini Prison’ Lecture One |
View |
86 |
Dr S M Mirza |
Paper IV: Literary Criticism (A) (Code: Eng- 304)
Unit- IV Raymond Williams: ‘Base and Superstructure in Marxist Cultural Theory’ Lecture Ten |
View |
87 |
Dr S M Mirza |
Paper IV: Literary Criticism (A) (Code: Eng- 304)
Unit- IV Raymond Williams: ‘Base and Superstructure in Marxist Cultural Theory’ Lecture Nine |
View |
88 |
Dr S M Mirza |
Paper IV: Literary Criticism (A) (Code: Eng- 304)
Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture Eight |
View |
89 |
Dr S M Mirza |
Paper IV: Literary Criticism (A) (Code: Eng- 304)
Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture Seven |
View |
90 |
Dr S M Mirza |
Paper IV: Literary Criticism (A) (Code: Eng- 304)
Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture Six |
View |
91 |
Dr S M Mirza |
Paper IV: Literary Criticism (A) (Code: Eng- 304)
Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture Five |
View |
92 |
Dr S M Mirza |
Paper IV: Literary Criticism (A) (Code: Eng- 304)
Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture Four |
View |
93 |
Dr S M Mirza |
Paper IV: Literary Criticism (A) (Code: Eng- 304)
Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture Three |
View |
94 |
Dr S M Mirza |
Paper IV: Literary Criticism (A) (Code: Eng- 304)
Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture Two |
View |
95 |
Dr S M Mirza |
Paper IV: Literary Criticism (A) (Code: Eng- 304)
Unit- IV Antonio Gramsci : ‘The Formation of the Intellectuals’ Lecture One |
View |
96 |
Prof Ranu Uniyal |
"Dreamwood" by Adrienne Rich |
View |
97 |
Prof Ranu Uniyal |
"Snapshots of a Daughter-in-Law" by Adrienne Rich |
View |
98 |
Prof Ranu Uniyal |
Adrienne Rich |
View |
99 |
Dr Meenakshi Pawha |
Asif Currimbhoy |
View |
100 |
Dr Meenakshi Pawha |
Social and Intellectual Background with reference to Post-independence Drama centering Asif Currimbhoy |
View |
101 |
Dr Meenakshi Pawha |
The Doldrummers: Plot Summary, Themes and Critical Analysis |
View |
102 |
Dr Meenakshi Pawha |
Aptness of the Title: The Doldrummers |
View |
103 |
Dr Meenakshi Pawha |
The Art of Characterisation in The Doldrummers |
View |
104 |
Dr Meenakshi Pawha |
Introduction to Indian Theatre: Some useful YouTube links |
View |
105 |
Dr Fatima Rizvi |
The Birthday Party: An Overview |
View |
106 |
Dr Fatima Rizvi |
The Birthday Party: Themes |
View |
107 |
Dr Fatima Rizvi |
The Birthday Party: Structure, Style, Language |
View |
108 |
Dr Fatima Rizvi |
The Birthday Party: Comedy of Menace |
View |
109 |
Dr Fatima Rizvi |
The Birthday Party: Absurdism |
View |
110 |
Prof R P Singh |
Translation Practice |
View |
111 |
Prof R P Singh |
Marshal Mc Luhan: The Mechanical Bride: Folklore of Industrial Man |
View |
112 |
Prof R P Singh |
Report Writing: Theoretical Discussion |
View |
113 |
Prof R P Singh |
Legal English |
View |
114 |
Prof R P Singh |
English for Academic Purposes |
View |
115 |
Prof R P Singh |
Aviation English |
View |
116 |
Prof R P Singh |
Business English |
View |
117 |
Prof R P Singh |
Allison Mc Wood on Canadian Drama in English |
View |
118 |
Dr V M David |
A Literary Overview of "Holy Sonnet X" by John Donne |
View |
119 |
Dr S P Singh (French) |
L’ANTÉRIORITÉ
THE AGREEMENT OF TENSES TO INDICATIVE |
View |
120 |
Dr S P Singh (French) |
A COMPERATIVE VIEW OF USES OF FRENCH TENSES |
View |
121 |
Dr S P Singh (French) |
LE VOIX PASSIF |
View |
122 |
Dr S P Singh (French) |
LE PRÉSENT CONTINU, LE PASSÉ RÉCENT, LE FUTUR PROCHE, LE
FUTUR DE PASSÉ ET FUTUR ANTÉRIEUR DU PASSÉ |
View |
123 |
Dr S P Singh (French) |
LE PRÉSENT DE L'IMPERATIF |
View |
124 |
Dr S P Singh (French) |
LE PRÉSENT DU CONDITIONNEL |
View |
125 |
Dr S P Singh (French) |
LE PRÉSENT DU SUBJONCTIF |
View |
126 |
Dr S P Singh (French) |
LE PASSÉ ANTÉRIEUR |
View |
127 |
Dr S P Singh (French) |
PASSÉ SIMPLE, , L'IMPARFAIT DE L'INDICATIF ET
LE PLUS-QUE-PARFAIT DE L'INDICATIF |
View |
128 |
Dr S P Singh (French) |
LE PASSÉ COMPOSÉ |
View |
129 |
Dr S P Singh (French) |
LE PRÉSENT DE L'INDICATIF |
View |
130 |
Dr S P Singh (French) |
LES EXPRESSIONS AVEC FAIRE ET ÊTRE (SUITE), LES EXPRESSIONS
AVEC ALLER, VENIR ET METTRE,
MOI AUSSI ET MOI NON PLUS, N'IMPORTE QUOI/ |
View |
131 |
Dr S P Singh (French) |
LES EXPRESSIONS AVEC FAIRE, ÊTRE ET AVOIR, FAIRE SON AVIS;
DEMANDER ET DIRE LES PRIX, LES POIDS ET LES MESURES, LA
VOIX PASSIVE |
View |
132 |
Dr S P Singh (French) |
LA CAUSE ET LE BUT (POURQUOI, PARCE QUE, À
CAUSE DE), LES PRONOMS RELATIFS (DONT,QUI,
QUE,OÙ), ET RAPPORTER UN DISCOURS |
View |
133 |
Dr S P Singh (French) |
LE RÉSUMÉ, LES MOTS COMME CERTAIN, PLUSIEURS, AUTRE,
DONC, NÉANMOINS, ALORS, D'ABORD, BUT, FIN ET FAIRE PLUS (+)
INFINITIF |
View |
134 |
Dr S P Singh (French) |
LES ADVERBES EN-MENT, LES ADVERBES DE QUANTITÉ (SUITE), LA
COMPARAISON, LE PASSÉ RÉCENT ET LE FUTUR PROCHE |
View |
135 |
Dr S P Singh (French) |
LES ADVERBES, LE PARTICIPE PRÉSENT, LE
GÉRONDIF ET LE FUTUR |
View |
136 |
Dr S P Singh (French) |
LES CONJUGAISONS AU PRÉSENT DES VERBES POUVOIR,
VOULOIR, FALLOIR ET DEVOIR, L' IMPARFAIT |
View |
137 |
Dr S P Singh (French) |
CONJUGAISON AU PRÉSENT DES VERBES EN
'YER', LE PASSÉ COMPOSÉ ET LES PRONOMS 'Y'/'EN' |
View |
138 |
Dr S P Singh (French) |
LES ARTICLES, LES NOMS GÉNERAUX ET PARTITIFS ET
CONJUGAISON À L'IMPÉRATIF |
View |
139 |
Dr S P Singh (French) |
LES ADJECTIFS EXPRIMANT LA TOTALITÉ ET |
View |
140 |
Dr S P Singh (French) |
CONJUGAISONS DES VERBES RÉFLÉCHIS, LES VERBES À
CHANGEMENTS ORTHOGRAPHIQUES, LES PRONOMS
COMPLÉMENTS DIRECTS/INDIRECTS ET LES PRONOMS TONIQUES |
View |
141 |
Dr S P Singh (French) |
CONJUGAISONS DES VERBES IRRÉGULIERS
(TROISIÈME GROUPE) ET LES PRONOMS POSSESSIFS |
View |
142 |
Dr S P Singh (French) |
CONJUGAISON DES VERBES EN 'IR' ET LES
ADJECTIFS POSSESSIFS |
View |
143 |
Dr S P Singh (French) |
LES VERBES DES TROIS GROUPES, CONJUGAITION DES VERBES EN
'ER' LES |
View |
144 |
Dr S P Singh (French) |
SE PRÉSENTER (NOM, ÂGE ET ADRESSE PROFESSION ET
NATIONALITÉ) |
View |
145 |
Dr S P Singh (French) |
PLURIELS DES NOMS, ACCORD DES ADJECTIFS, DES PRÉPOSITIONS,
VOICI, VOILÀ, IL Y A |
View |
146 |
Dr S P Singh (French) |
DEMANDER ET RÉPONDRE DES CHOSES; LES NOMS ET LES
ARTICLES |
View |
147 |
Dr S P Singh (French) |
LES MOTS DE POLITESSE, LES NOMBRES |
View |
148 |
Dr S P Singh (French) |
COMMENT SALUER, L'ALPHABET |
View |
149 |
Prof A K Lal (French) |
Une vedette de la télévision-1- Traduction |
View |
150 |
Prof A K Lal (French) |
Une vedette de la télévision-2- Traduction |
View |
151 |
Prof A K Lal (French) |
Une vedette de la télévision- Vocabulaire |
View |
152 |
Prof A K Lal (French) |
Une vedette de la télévision- Communication |
View |
153 |
Prof A K Lal (French) |
Les Temps-1- Grammaire |
View |
154 |
Prof A K Lal (French) |
Une Promotion- Traduction |
View |
155 |
Prof A K Lal (French) |
Une Promotion- Grammaire |
View |
156 |
Prof A K Lal (French) |
Reportage en Afrique- Grammaire |
View |
157 |
Prof A K Lal (French) |
Duex Conceptions de l'information- Communication |
View |
158 |
Prof A K Lal (French) |
Reportage en Afrique- Traduction |
View |
159 |
Prof A K Lal (French) |
Les Temps-2- Grammaire |
View |
160 |
Prof A K Lal (French) |
Histoire du Cinèma- Civilization |
View |
161 |
Prof A K Lal (French) |
Reportage en Afrique- Vocabulaire |
View |
162 |
Prof A K Lal (French) |
Deux Conceptions de l'information- Vocabulaire |
View |
163 |
Prof A K Lal (French) |
Deux Conceptions de l'information- Traduction |
View |
164 |
Dr. V. M. David |
A Critical Summary of The Umbrella by Guy de Maupassant |
View |
165 |
Dr. Fatima Rizvi |
Vijay Tendulkar |
View |
166 |
Prof. Vijay Prakash Singh |
Introduction to Travel Literature |
View |
167 |
Prof. Vijay Prakash Singh |
Introduction to Gothic Literature
MA Sem 3 |
View |
168 |
Prof. Ravindra Pratap Singh |
CANADIAN LITERATURE IN ENGLISH: INTRODUCTORY READING |
View |
169 |
Prof. Nazneen Khan |
The Balcony Scene from Romeo and Juliet B.A.(HONS.): Subsidiary English SEMESTER–II PAPER I: English literature (Poetry and drama) (CODE: Eng-S201) UNIT–II (Drama) |
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170 |
Prof. Nazneen Khan |
Shrilal Shukla: Raag Darbari (I) B.A.(English) Semester-V Paper II: Contemporary Indian Literature in Translation Unit-III |
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171 |
Prof. Ranu Uniyal |
The Waterfall by Margaret Drabble |
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172 |
Prof. Ranu Uniyal |
The Laugh of the Medusa by Helene Cixous |
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173 |
Prof. Ranu Uniyal |
Decolonising the Indian Mind by Namvar Singh: Text and Notes |
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174 |
Prof. Nazneen Khan |
Shrilal Shukla: Raag Darbari (III)
B.A.(English) Semester-V
Paper II: Contemporary Indian Literature in Translation Unit-III |
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175 |
Dr. S. M. Mirza |
Introduction to Raymond Williams and Marxist Theory |
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176 |
Dr. Fatima Rizvi |
Waiting for Godot: Structure |
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177 |
Prof. Nazneen Khan |
The Hungry Tide: Part Three |
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178 |
Prof. Nazneen Khan |
A K Ramanujan: The Striders (Part two) |
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179 |
Prof. Nazneen Khan |
A K Ramanujan: The Striders (Part One) |
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180 |
Prof. Ranu Uniyal |
Decolonising the Mind: Part Five |
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181 |
Prof. Nazneen Khan |
The Hungry Tide: Part Two |
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182 |
Prof. Nazneen Khan |
The Hungry Tide: Part One |
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183 |
Prof. Ravindra Pratap Singh |
Grapevine Communication |
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184 |
Dr. Fatima Rizvi |
Waiting for Godot: Absurdism |
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185 |
Dr. Fatima Rizvi |
The Theatre of the Absurd |
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186 |
Dr. Fatima Rizvi |
Shashi Deshpannde |
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187 |
Prof. Ranu Uniyal |
Decolonising the Mind: Part Four |
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188 |
Prof. Ranu Uniyal |
Decolonising the Mind: Part Three |
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189 |
Prof. Ranu Uniyal |
Decolonising the Mind: Part Two |
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190 |
Prof. Ranu Uniyal |
Decolonising the Mind: Part One |
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191 |
Dr. Raj Gaurav Verma |
Ian Fleming’s James Bond MA English Semester III Paper XA: Unit II |
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192 |
Dr. Mohd Tariq |
Modern English Poetry |
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193 |
Dr. Raj Gaurav Verma |
Ruskin Bond’s The Room on the Roof MA English Semester III Paper XA: Unit IV |
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194 |
Prof. Ravindra Pratap Singh |
Literature and Culture |
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195 |
Prof. Ravindra Pratap Singh |
Importance of Feedback in Effective Communication |
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196 |
Prof. Ravindra Pratap Singh |
John Keats: Ode to a Nightingale |
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197 |
Prof. Ravindra Pratap Singh |
Matthew Arnold: Rugby Chapel |
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198 |
Prof. Ravindra Pratap Singh |
A L Tennyson: Ulysses |
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199 |
Prof. Ravindra Pratap Singh |
P B Shelley: Ode to the West Wind |
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200 |
Prof. Ravindra Pratap Singh |
Problem Play |
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201 |
Prof. Ravindra Pratap Singh |
Epic Theatre |
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202 |
Prof. Ravindra Pratap Singh |
Basics of Communication |
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203 |
Prof. Ravindra Pratap Singh |
Cross Cultural Communication |
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204 |
Prof. Ravindra Pratap Singh |
T S Eliot: The Love Song of J Alfred Prufrock |
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205 |
Prof. Ravindra Pratap Singh |
Robert Frost: Mending Wall |
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206 |
Prof. Ravindra Pratap Singh |
Robert Browning: My Last Duchess |
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207 |
Prof. Ravindra Pratap Singh |
Robert Frost: Stopping by Woods on a Snowy Evening |
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208 |
Dr. Mohd Tariq |
Fiction in Victorian Age |
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209 |
Dr. Raj Gaurav Verma |
SATYAJIT RAY’S THE ADVENTURES OF FELUDA |
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210 |
Dr. S. G. Puri |
The Painter of Signs by R K Narayan |
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211 |
Dr. Raj Gaurav Verma |
Arthur Conan Doyle and Sherlock Holmes MA English Semester III- Paper XA: Unit II |
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212 |
Dr. R. B. Sharma |
Deconstruction |
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213 |
Dr. Raj Gaurav Verma |
Roald Dahl’s Charlie and the Chocolate Factory MA English Semester III- Paper XA: Unit IV |
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214 |
Dr. Raj Gaurav Verma |
Kunwar Narain: The Poet |
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215 |
Dr. H. N. Prasad |
Sri Aurobindo: Second Part |
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216 |
Dr. H. N. Prasad |
Sri Aurobindo: First Part |
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217 |
Dr. S. M. Mirza |
Lecture 3 Raymond Williams |
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218 |
Dr. R. B. Sharma |
Roland Barthes |
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219 |
Dr. R. B. Sharma |
Ideology and Ideological State Apparatuses |
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220 |
Dr. R. B. Sharma |
Literary Theory Some Contemporary Issues |
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221 |
Dr. S. G. Puri |
MANJU KAPUR: DIFFICULT DAUGHTERS |
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222 |
Dr. S. G. Puri |
MOTHER BY URMILA PAWAR |
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223 |
Dr. Raj Gaurav Verma |
Travel Writing: An Introduction MA English Semester III Paper XA: Unit III |
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224 |
Dr. S. M. Mirza |
CULTURE AND SOCIETY 1780-1950 Raymond Williams |
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225 |
Dr. S. M. Mirza |
Paper IV: Indian Writing in English (Code: Eng- 504) Jawahar Lal Nehru : ‘In Naini Prison’* |
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226 |
Dr. Raj Gaurav Verma |
Writing Term Papers: An Introduction |
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227 |
Dr. Raj Gaurav Verma |
The Ramayana |
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228 |
Dr. Raj Gaurav Verma |
Vikram Seth’s From Heaven Lake MA English Semester III Paper XA: Unit III |
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229 |
Dr. Raj Gaurav Verma |
Arthur Conan Doyle’s The Hound of Baskerville MAEnglish Semester III- Paper XA: Unit II |
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230 |
Dr. Raj Gaurav Verma |
IAN FLEMING’S FROM RUSSIA WITH LOVE |
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231 |
Dr. Raj Gaurav Verma |
Salman Rushdie's Haroun and the Sea of Stories |
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232 |
Dr. Raj Gaurav Verma |
Beginning Term Paper |
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233 |
Dr. Raj Gaurav Verma |
Form of Tragedy from Classical to Contemporary |
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234 |
Dr. Raj Gaurav Verma |
Bill Aitken’s Footloose in the Himalaya MA English Semester III Paper XA: Unit III |
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235 |
Dr. Raj Gaurav Verma |
Agatha Christie’s The Murder of Roger Ackroyd MA English Semester III- Paper XA: Unit II |
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236 |
Dr. Raj Gaurav Verma |
Detective Fiction: An Introduction MA English Semester III- Paper XA: Unit II |
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237 |
Dr. Raj Gaurav Verma |
Agatha Christie and Hercule Poirot MA English Semester III- Paper XA: Unit II |
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238 |
Dr. Raj Gaurav Verma |
Structure of Detective Fiction MA English Semester III- Paper XA: Unit II |
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239 |
Dr. Raj Gaurav Verma |
Writing Term Papers |
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240 |
Dr. S. M. MIRZA |
Paper XI (A) : Contemporary Literary Theories -- Unit II : Raymond Williams : ‘ The Romantic Artist’ from Culture and Society : 1780-1950 Text: The Romantic Artist by Raymond Williams |
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241 |
Dr. S. M. Mirza |
"Culture and Society" by Raymond Williams |
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242 |
Dr. Raj Gaurav Verma |
Practical Criticism |
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243 |
Dr. S. M. Mirza |
Lecture Two: Raymond Williams |
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244 |
Dr. Fatima Rizvi |
Waiting for Godot: Theme |
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245 |
Dr. Raj Gaurav Verma |
Background to English Language:
History of English Literature
BA English
Semester V Paper I |
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246 |
Dr. Raj Gaurav Verma |
Children’s Fiction: An Introduction
MA English Semester III
Paper XA: Unit IV |
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247 |
Dr. Raj Gaurav Verma |
Literature Review
MA English Semester III
Paper XII(B) : 4 Term papers |
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248 |
Dr Mohd Tariq |
Social and Intellectual Background of the Modern Age |
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249 |
Dr Mohd Tariq |
Pre-Raphaelite Poetry |
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250 |
Dr Mohd Tariq |
The Reformation |
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251 |
Dr Mohd Tariq |
The Authorized Version of Bible |
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252 |
Dr Mohd Tariq |
The Victorian Age |
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253 |
Dr H N Prasad |
Sri Aurobindo: Third Part |
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254 |
Dr. Mohd Tariq |
Romanticism |
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255 |
Dr. Mohd Tariq |
The Impact of Renaissance on English Literature |
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256 |
Dr. Fatima Rizvi |
S H Vatsyayan Agyeya |
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257 |
Dr. Fatima Rizvi |
S H Vatsyayan Agyeya: Hiroshima |
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258 |
Dr. Fatima Rizvi |
Amrita Pritam: To Waris Shah |
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259 |
Dr. Fatima Rizvi |
Amrita Pritam: Me |
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260 |
Dr. Fatima Rizvi |
Amrita Pritam: Empty Space |
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261 |
Dr. Fatima Rizvi |
Amrita Pritam |
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262 |
Dr. S. M. Mirza |
Lecture 7 Raymond Williams |
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263 |
Dr. S. M. Mirza |
Lecture 6 Raymond Williams |
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264 |
Dr. S. M. Mirza |
Lecture 5 Raymond Williams |
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265 |
Dr. S. M. Mirza |
Lecture 4 Raymond Williams |
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266 |
Prof. Madhu Singh |
A K Ramanujan’s Theory and Practice
of Translation
Vinay Dharwadker |
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267 |
Prof. Madhu Singh |
COMPARATIVE LITERATURE
THE HISTORY OF MARY PRINCE |
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268 |
Prof. Madhu Singh |
LITERATURE AND GENDER
“DRAUPADI”
MAHASWETA DEVI |
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269 |
Prof. M. Priyadarshini |
Candida |
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270 |
Dr. H. N. Prasad |
Toru Dutt |
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271 |
Prof. Madhu Singh |
Translation and Literary History: An Indian View”
Ganesh Devyi |
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272 |
Dr. V. M. David |
A Critical Appreciation of “My Grandmother’s House” by Kamala Das |
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273 |
Prof. Madhu Singh |
TRANSLATION: THEORY AND
PRACTICE |
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274 |
Dr. S. G. Puri |
Untouchable by Mulk Raj Anand |
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275 |
Dr. S. G. Puri |
Walt Whitman: Major Issues of His Poetry |
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276 |
Prof. Ravindra Pratap Singh |
EARLE BIRNEY: 'BUSHED' |
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277 |
Prof. Ravindra Pratap Singh |
A.K. Ramanujan: 'Ecology' |
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278 |
Prof. Ravindra Pratap Singh |
DENNIS LEE: 'CADENCE, COUNTRY AND SILENCE: WRITING IN COLONIAL SPACE' |
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279 |
Prof. Ravindra Pratap Singh |
S. T. COLERIDGE: 'KUBLA KHAN' |
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280 |
Prof. Ravindra Pratap Singh |
W.B.YEATS: 'THE SECOND COMING' |
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281 |
Prof. Ravindra Pratap Singh |
EARLE BIRNEY: 'THE BEAR ON THE DELHI ROAD' |
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282 |
Prof. Ravindra Pratap Singh |
CARIBBEAN LITERATURE: INTRODUCTORY READING |
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283 |
Prof. Ravindra Pratap Singh |
AFRICAN LITERATURE: INTRODUCTORY READING |
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284 |
Prof. Ravindra Pratap Singh |
EARLY CANADIAN LITERATURE: AN INTRODUCTION |
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285 |
Prof. Ravindra Pratap Singh |
ENGLISH FOR SPECIFIC PURPOSES : A GENERAL UNDERSTANDING |
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286 |
Prof. Ranu Uniyal |
Poems of Henry Louis Vivian Derozio: Texts and Notes |
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287 |
Prof. Ranu Uniyal |
Rashid Jahan |
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288 |
Prof. Nazneen Khan |
Rohinton Mistry: “Swimming Lessons”
B.A.(HONS.) ENGLISH SEMESTER–IV
PAPER I: SHORT FICTION (CODE: ENG–401)
UNIT–IV |
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289 |
Prof. Nazneen Khan |
Shrilal Shukla: Raag Darbari (II)
B.A.(English) Semester-V
Paper II: Contemporary Indian Literature in Translation
Unit-III |
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